Who played in million dollar baby movie#

Who played in million dollar baby movie#

Million Dollar Baby movie with Clint Eastwood and Hilary Swank. (See fatherless, fast-rising champ John Garfield in Body and Soul and troubled but tough slugger Michelle Rodriguez in Girlfight.) Ingmar Bergman-esque solemn tone or no, Part One, which encompasses the first two-thirds of the film, presents the all-too-familiar account of the pursuit of the American Dream вЂ“ or perhaps more accurately, the escape from the American Nightmare вЂ“ in the face of tremendous odds: Poor, fatherless Southern waitress Maggie Fitzgerald (Hilary Swank) is eager to leave behind her trailer-trash background by punching her way to boxing-ring stardom. Toole (pen name for boxing trainer Jerry Boyd), Million Dollar Baby provides the viewer with two movies for the price of one. Predictable relationshipД¬hiefly based on a short story by F.X. Ultimately, the derivative, contrived, slow-moving Million Dollar Baby вЂ“ which never quite makes up its mind whether boxing is an artful sport or a social disease вЂ“ is made barely tolerable only by Hilary SwankвЂ™s performance as the steadfast titular fighter. For once the dust is settled, that last third quickly derails into the same sentimental mush Eastwood and screenwriter Paul Haggis had come up with earlier on. Fresh off the enthusiastically received, multiple Oscar-nominated, and appallingly insincere Mystic River, Best Director Academy Award winner Clint Eastwood ( Unforgiven, 1992) has gone on to tackle the ups and downs of the boxing world in Million Dollar Baby.Дespite its cheery title and myriad boilerplate plot points, EastwoodвЂ™s latest isnвЂ™t one more Rocky-like rags-to-riches tale about a strong-willed underdog whoвЂ™s transmogrified into an unbeatable topdog once he puts on his gloves, jumps into the boxing ring, and starts using other men as punching bags.ДЇor starters, Million Dollar BabyвЂ™s lead character is a female boxer besides, about two-thirds into the narrative, the movie takes a radical turn toward tragedy that is as unexpected as everything else on screen вЂ“ whether before or after вЂ“ is tediously predictable.